Great alternative for brighter sounding guitars and amps and bedroom, low volume level setups.
Gilmour tones: Slightly warmer alternative for Black Strat tones.Ĭlassic, vintage Strat tones with, compared to the CS69s, higher output, boosted mid range and an overall warmer tone. Resistance ohms: 6.2k to 6.5k-7.1k (neck to bridge) Great alternative if you want that classic late 60s tone on brighter sounding guitars and amps. Recommended similar models: D Allen Austin Blues, Kinman Bluesīased on the CS69s, these have a bit more output, with extra mid range and bite. Replace the stock bridge with a Duncan SSL-5 pickup for Animals-present Black Strat tones.
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A full set is spot on Gilmour’s Atom Heart Mother-WYWH tones. Recommended similar models: D Allen VP 69 Voodoo, TTS 65 Haze, DiMarzio Area 67, Kinman WoodstockĬlassic clean and transparent Strat tones, with glassy highs, mids scoop and thumbing lows. Gilmour tones: A lower output alternative for the #0001 and Black Strat tones. Very similar to the CS 54s, with slightly less output. Gilmour tones: Featured neck pickup of the Fender Custom Shop David Gilmour NOS/Relic StratocasterĬlassic clean and transparent, bell-like Strat tones. Resistance ohms: 6k to 6.3k (neck to bridge) Resistance ohms: 5.9k to 6.5k (neck to bridge)Ĭlassic clean and transparent Strat tones with, compared to the 54s, a bit more mids scoop and bass. If you want David’s Strat Pack 2004 tones, then look no further. A bit thin in the lower frequencies but this can be compensated by installing an even hotter bridge pickup. Recommended similar models: D Allen Tru Vintage 54, TTS 1954 Proof, DiMarzio Area 58, Kinman Impersonator 54Ĭlassic clean and transparent, bell-like Strat tones, with a bit more bite in the bridge position. Most of the models will be able to cover a wide range of other genres and tones as well. These are generally more transparent sounding, allowing the pedals and your playing to sound more natural and dynamic.Īll of the models I’ve listed are tested with David Gilmour’s tones in mind, using the same guitar (alder body and rosewood neck) and setups for both stage and bedroom. My best tip is to try out a couple of models or at least have some idea of how the models will work with your rig. A hotter pickup will compensate for some of the tone loss caused by low volume but it can also make a smaller amp distort sooner. This can cause some difficulty in choosing the right pickup if you’re mostly playing at home. The hotter the pickup, the more you push the amp towards breakup. The same principles applies to combining pickups and amps. Depending on what tones you want, a dark sounding guitar, will perhaps need brighter, low output pickups (Fender CS 54, 69), while a bright, thin sounding guitar, can be improved with a set of higher output pickups with more bass and mids (Fender Tex/Mex, Duncan SSL5, EMG DG20). Obviously, which pickups you should choose depends on your taste and purpose of use.
Everyone has their special way of winding a pickup and it’s the small nuances that makes a difference. In the listings below, I’ve focused on the familiar and easily available models from Fender but I recommend that you check out similar models from different brands. You could very well just use whatever pickups you want or even make a pickup yourself but choosing a model that fits and enhances the timbre of your guitar, the tone of your amp and your technique, is important to get the tones you want. Like pedals, the pickups in your guitar are a part of your tone but perhaps more importantly, they pick up and transfer all the nuances in your playing. The type of wood, lacquer, frets, string gauge, pick etc will colour the resonance. The signal is induced and in turn amplified. The vibration is picked up by the pickup magnets that pushes the magnetic field through a stationary coil. When you pick a string, the vibration resonates between the wood (body and neck) and the strings. The more turns, the more output with more mid range and less highs. Less turns of the coil creates a cleaner, more transparent tone with less output. The tone characteristics of a pickup is a combination of different types of ALNICO magnets and coil, number of wounds and the technique used during the winding process. Simply put, a single coil pickup consists of a given length of coil, six magnet poles and mounting plates. In this feature we’ll look at different single coil models with David Gilmour’s tone in mind as well as a few tips and tricks. We spend most of our budget on expensive pedals but a tone starts with the guitar and its pickups. Choosing the right pickups for your guitar, is an often overlooked part of the whole tone search.
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